Daria Tuminas
Writing
Katya Lesiv, I Love You
Katya Lesiv, I Love YouEN
Summer Read column for Trigger (FOMU, Antwerpen) - a reflection on Katya Lesiv's 'I Love You' (ist publishing, 2021).
Favorite Photobooks of 2021, LensCulture
Favorite Photobooks of 2021, LensCultureEN
A brief introduction of 'Rato, Tesoura, Pistola' by Pedro Guimarães as my 'favourite photobook' of the year.
Cut to a Photobook >
Cut to a Photobook >EN
An essay on photobook editing co-written with Tine Guns for 'Belgian Platform For Photobooks.' In a form of a downloadable double-sided poster. Focusing on the publication 'Rocambolesco’ by Guns.
Favorite Photobooks of 2019
Favorite Photobooks of 2019EN
A photobook pick for Lensculture: Lassen by Małgorzata Stankiewicz. Published by Meta/Books
Open source booklet What? Market? Market!
Open source booklet What? Market? Market! EN
Unseen Book Market and Photobook Week Aarhus present: What? Market? Market! - the second edition of a joint discussion between the platforms and invited contributors. While the first edition Market? What Market? (2017-2018) focused on the general role of the photobook market today, the current one (2018-2019) explores solutions for the field’s challenges. Artists, independent publishers, collectors and mediators reflect on new developments, the importance of reaching different audiences, and consider sustainable models of book production. Role: managing editor, writer.
How Books Begin
How Books BeginEN
Material on selected photobook dummies from Unseen Dummy Award 2018 shortlist for Unseen Magazine Issue 6.
My Birth by Carmen Winant / personal favourite for LensCulture
My Birth by Carmen Winant / personal favourite for LensCultureEN
For the compilation Favorite Photobooks of 2018: "An eclectic list of personal favorites — Specialists from all over the world name their top photobook picks from 2018".
Open source booklet Market? What Market?
Open source booklet Market? What Market?EN
Market? What Market? is a cross-platform discussion and open source booklet initiated by Unseen Book Market and Photobook Week Aarhus. Materials reflect on the state of the photobook market in 2017-2018. Role: managing editor.
How We See: Photobooks by Women
How We See: Photobooks by WomenEN
Contributing a chapter on 10 selected photobooks by female artists from Eastern Europe to the latest project in nonprofit 10x10 Photobooks’ - How We See: Photobooks by Women. The project presents a global range of one hundred 21st-century photobooks by female photographers and will appear as a book and a travelling presentation.
Photobooks 2017: 23 Curators Pick Their Favorites
Photobooks 2017: 23 Curators Pick Their FavoritesEN
A photobook pick for Lensculture: “Lullaby 1” © Katya Lesiv. Published by Rodovid Press
Cleaving a Pyramid
Cleaving a PyramidRU
On Olivier Cablat’s 'Egypt 3000' and Thomas Galler’s 'Bright Star'
In The Car With A Girl, A Child, And A Hunter
In The Car With A Girl, A Child, And A HunterRU
On Rafal Milach’s ‘In The Car With R’
A Book with Wings
A Book with WingsRU
On Anouk Kruithof’s ‘A Head With Wings’
There’s Nothing to Lose, There’s Nothing to Prove and I’m Dancing with Myself
There’s Nothing to Lose, There’s Nothing to Prove and I’m Dancing with MyselfRU
on Tiane Doan na Champassak’s ‘The Father of Pop Dance’ and ‘In Almost Every Picture #11’
Fire Against Fire
Fire Against FireRU
on Idan Hayosh and Corina Künzli’s ‘Fire Guys’
Between Biology, Geography and Hieroglyph
Between Biology, Geography and Hieroglyph RU
on Mårten Lange’s ‘Another Language’
No Name/ No Face
No Name/ No FaceRU
on Stéphanie Solinas’s ‘Sans Titre, M. Bertillon’ and Grégoire Pujade-Lauraine’s ‘The Significant Savages’
Curating & Production
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